Chris Caesar of the Orange County Register got to check out Blizzard's newest exhibition at the Laguna Art Museum in Laguna Beach, CA, and as you can see above, is niiiiiice. The exhibition centers around the art of World of Warcraft, and is called "WoW: An Emerging Media Phenomenon," offering up fourteen different artists' takes on the wide world of Azeroth. And it comes with swag, apparently: you pay for a certain package to come visit the show, and all the packages, starting at "Lvl 30" for $15 all the way up to "Lvl 80" for $125, come with free stuff, from an illustrated "exhibition manual" to free t-shirts and a copy of "The Art of the Trading Card Game."

The event runs through October 4th, so if you're planning to spend some extra time wandering around southern California for BlizzCon, we're sure they'd love to see you (in fact, we wouldn't put it past them to have scheduled this event specifically around BlizzCon -- sneaky art museum types). And finally, they're also hosting a series of panels from different artists in the exhibit, all discussing how a digital game like World of Warcraft has affected their art. You can check out some of the art in the show over in the Register's gallery -- with art from the TCG, the official game art, and even some student work, it looks like they've got a whole bunch of great work on display.

Our podcast was so much fun last Saturday that we went even longer than usual -- this week instead of the usual hour, you get nearly an hour and ten minutes for your download (and all for the same low, low price of free!). Robin Torres and Lesley Smith joined Turpster and me to talk about what I did at E3 last week (meeting Michele Boyd was definitely a highlight), the new Druid forms and how they look, what's new in the game with 3.1.3, and some recent player achievements, including Ensidia's big win, and the no-deaths character. Plus, we talked with Robin about her recent scam experience, and how you can avoid having something like that happen to you in the future. One quick note: during the show, we guessed that Blizzard would never ask you for your Authenticator passcode, but that's not true: they do require you to give it to them when you sign in on their site. But our other tips are valid: if you make sure that you're the one typing the URL in to "blizzard.com" or "WorldofWarcraft.com," then you'll never have to worry about any sneaky sites grabbing your name and password.

And of course we answered your emails as usual -- if you have any movie posters to send in to us this week, you can send them along to theshow@wow.com. Enjoy the show, we'll see you next weekend.

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So I posted a couple days ago about the new Death Knight manga starring the Human Death Knight Thassarian, and it sparked some interesting conversation in the comments. Namely, people started talking about the type of hero they'd like to see in the Warcraft comics. Some complained that the Horde wasn't getting enough representation, some wanted specific races to get the spotlight. I thought it was at least fun to think about, so I thought I'd ask the question straight up: Who would you like to see get front billing in a Warcraft comic storyline or graphic novel?

Here's the details: to enter, leave a comment on this post before Tuesday, February 17th, 2009 at 6PM EST. One winner will be chosen randomly and will receive a Sideshow Exclusive Blood Elf Rogue vs. Draenei Paladin Polystone Diorama (valued at $299.99). You must be at least 18 to enter and a legal resident of the United States or non-Quebec resident of Canada. You may enter as often as once per day for the duration of the contest. Click here for complete Official Rules.

Update: I'm not sure how something so completely adorable could have slipped our minds, but when we first posted this, we forgot to mention the Netherwhelp that's included in the package. Everyone loves Netherwhelps, right?

This installment of All the World's a Stage is the twenty-third in a series of roleplaying guides in which we find out all the background information you need to roleplay a particular race or class well, without embarrassing yourself.

Any class needs its role models. Rogues don't have all that many great heroes from lore, but the ones they do have stand out, especially for the prominence of women in this class.

Garona Halforcen is probably the most famous of rogue protagonists, one of the main characters of the original Warcraft I storyline that launched the whole Warcraft series. She's been strangely missing ever since the end of the First War, actually, but it seems that she is finally making her comeback to the story in the World of Warcraft Comic Book. Her full story is best left for others to tell (such as the immensely talented Elizabeth Wachowski, or the mysterious collective mind known as WoWWiki), but for now, suffice it to say that she represents a lot of what makes rogues who and what they are. Here's a few reasons why:

• She's incredibly cool.
• She doesn't talk about how incredibly cool she is.
• She has conflicted loyalties, neither all good nor all bad.
• There's so much we don't know about her, and so much we want to discover.
• She's something of a lone wolf, extremely independent and active.
• Her skill with words was just as important as her skill with weapons.
• She has a great wealth of complicated emotions and ideas that drive her deeper into the story.

Our friends at Massively and GamerDNA are at it again -- they're digging into their database of players, this time to determine some Death Knight demographics. They want to know what kinds of players are picking up the new Hero class. Unfortunately, their sample size is super small -- only 500, according to Sanya Weathers, which seems way too tiny to determine anything about the Death Knight class at large. But we'll go with it anyway, and see what we can get.

As you can see above, Blood Elves and Humans dominate the race choice in our little group, which seems about right, considering that those are the two most popular races overall. Death Knight players in this study generally tend to have reported themselves as male in real life. And GamerDNA also lays their Death Knights up against the Bartle test and while WoW players trend pretty well to the norm, Death Knights go way more towards the "Killer" and to a lesser extent the "Explorer" end of the scales.

So according to this little survey (and we'll remind you that this is 500 people, so there are plenty of exceptions out there), the average Death Knight is male, chooses whatever race is most familiar to them, and wants to go kill and do damage rather than worry about socializing or achieving. In other words, lots and lots of former Ret Paladins. It'll be interesting to see how this changes over time -- lots of these players are interested in the newest thing, obviously, since they've switched their mains to a new class at the first chance, but as things settle down and more people head back to get new alts, maybe we'll see a different crowd coming out of Acherus.

That year flew by really quick, didn't it? Last year, I remember I was working my way through Tempest Keep (Kael'Thas even). 2008 brought in a complete set of additions and changes for the Priest class across all 3 specs.

So, shall we get down to Priest class changes? Ranked in no particular order, we'll go over a few of the changes and the impact they had on the current game.

This installment of All the World's a Stage is the seventeenth in a series of roleplaying guides in which we find out all the background information you need to roleplay a particular race or class well, without embarrassing yourself.

Priests in the World of Warcraft are a single class that incorporates a wide variety of characters. They are best known for casting spells that call forth the power of the Holy Light, but the priest using these spells in the game mechanics doesn't necessarily have much connection to the Light as such -- rather they have a connection with their own religion which grants them similar effects to those of the Light.

When WoW was being developed, Blizzard realized that night elves and trolls, for instance, would not follow the Light in the same way humans and dwarves do, so they tried to represent a bit of this diversity through race-specific spells. It didn't work out, though -- some were too powerful, while others weren't worth reading about, much less putting on one's action bar. The end result was that they made some of these spells universally available to all priests, and completely removed the rest. Here the lore had to surrender to the game mechanics in order to provide the best game balance.

In roleplaying, however, there is a lot of room for players of different races to behave differently, and draw their powers from totally different sources. Greater Heal, for instance, could come either from the Light or the power of Elune. A Shadowfiend could either be a spawn of the Forgotten Shadow, or a dark trollish voodoo spirit. If you are roleplaying a priest, the only thing that really matters is that your character have some sort of faith or profound belief, which could serve as the source of their divine magical power. A priest's magic revolves around his or her strong beliefs and ideas -- but what those beliefs are is entirely up to you.

This installment of All the World's a Stage is the sixteenth in a series of roleplaying guides in which we find out all the background information you need to roleplay a particular race or class well, without embarrassing yourself. It's also the first installment with a title that rhymes!

The Mage is the foremost master of magic in the Warcraft universe. Although all the other classes excluding the Warrior and the Rogue use magic of one sort or another with equally wonderful effects, the Mage is the class that's named after the stuff.

But what is magic? What does it feel like to harness it? Does the mage have to do a strange ritual or utter incomprehensible words in an ancient language in order to cast her spells? Other fantasy settings often have one or more of these elements together, but as far as I can tell, Warcraft lacks them.

Arcane magic in the World of Warcraft is an ever-present energy field surrounding the whole world. Mages access it by concentrating in the magic energy within themselves, feeling it rush through their body, and directing it as they please. Those spells that require reagents need an extra focusing item with magical properties of its own in order to bring about the desired effect, but for the most part, fireballs, frostbolts and arcane explosions can be created through the mere act of will on the part of a properly educated mind.

This installment of All the World's a Stage is the fifteenth in a series of roleplaying guides in which we find out all the background information you need to roleplay a particular race or class well, without embarrassing yourself.

The Warlock is the ideological counterpart to the Paladin. Where paladins strive to wipe out evil wherever they see it, warlocks enslave those evils and use them for their own purposes. Being a warlock is all about harnessing the most wicked, corrupting, and evil forces in the universe.

Why are these forces evil, you ask? Aren't magical powers neutral in themselves depending on how you use them? Isn't killing with one weapon more or less the same as killing with another? Well, if you consider that a warrior basically cuts or bashes things, and a paladin cuts or bashes and brings down the righteous energy of justice. But a warlock uses curses and spells, which, like horrifying biological weapons of modern days, destroy his enemies' minds and eat away their bodies from the inside; wreaks massive havoc with great explosions and persisting fire; and sucks the souls out of people and creatures and uses them to power even more horrifying abilities, such as summoning demonic creatures who would just as soon pluck out your eyeballs as look at you.

To suffer at the hands of a warlock is significantly more excruciating than the attacks of any other class -- a slow, painful, torturous, agonizing death. If warlocks existed in modern earth, their abilities would be against all international agreements on human rights and rules of warfare; they would be squarely in the evil company of terrorism, drug-trafficking, slavery, and biological germ warfare development.

And yet if your warlock works for the Alliance or the Horde, he or she claims to do all of these things all for the greater good.

This installment of All the World's a Stage is the fourteenth in a series of roleplaying guides in which we find out all the background information you need to roleplay a particular race or class well, without embarrassing yourself.

You might say that paladins are the guardians at the gates of hell -- they fight evil wherever it penetrates into their world and they take the fight to the evil's source in the hope of quenching it forever. Although they focus on guarding their people from undead and demonic forces on the rise, paladins actually stand against evil everywhere, including the evil in their own hearts.

Being a paladin means that you have a relationship of some sort with the Holy Light, that mysterious force of goodness and faith that flows to some degree within all living beings with positive intentions. Most paladins (and many priests) believe that when you do something that you believe to be good, the power of the Light increases in you and your connection to the rest of creation is strengthened, whereas doing something evil (such as acts of greed, despair, or vengeance) will darken the universe and weaken your connection to it. Whether this belief system is a religion or a philosophy is open to interpretation, and seems to depend in some part upon which race you are.

There are three sorts of paladins in World of Warcraft, aligned with the humans, the draenei, and the blood elves. All of these share certain similarities, but each has its own differences as well.

This installment of All the World's a Stage is the thirteenth in a series of roleplaying guides in which we find out all the background information you need to roleplay a particular race or class well, without embarrassing yourself.

The Warrior is not merely a well-trained fighter who loves his weapons and armor and takes great care to wield them well -- inside each one is a boiling cauldron of rage and passion. By and large, warriors feel at home on the battlefield because it is the one place where they can express themselves, where they can finally let go of all the restraint society imposes on them and unleash all their emotions. Without his raging passion, a person would be much better suited to some calmer form of work -- it is this unquenchable fire which sustains a warrior, driving him into action in the midst of mortal peril.

Alliance warriors tend to focus more on training and weapon mastery, sometimes downplaying their rage so much that you hardly even see it. Some warriors like this (even in the Horde sometimes) may be so stoic that even they do not believe that they have any emotions whatsoever, although I doubt anyone who watched them fight could really agree. Something's got to make you willing to put on all that armor and risk death every day.

But Horde warriors are more likely to display their rage, bloodlust, and other aggressive emotions much more freely. Of course, it's possible that a Horde warrior could have a collection of stuffed animals, write poetry, and even play hopscotch with children, but their rage lurks deep within, and the essence of their profession is to let it loose.

This installment of All the World's a Stage is the eleventh in a series of roleplaying guides in which we find out all the background information you need to roleplay a particular race or class well, without embarrassing yourself. This article is largely a continuation of last week's article, which has been updated for accuracy.

There has been a great deal of change and evolution of the world of World of Warcraft, and to a certain extent, all the available player races have gone through changes because of the events that have taken place. The original release content had lots of dungeons and quests and things going on, but each one seemed to tell the story of a place rather than the story of a people. Like each place, the stories told there seemed static, as the players grew and moved on, the places all remained the same.

The Burning Crusade, however, began to change all that. Instead of just adding new content with each patch, some aspects of the old content were changed as well, with certain characters and peoples coming to the foreground as major antagonists. Players were no longer merely vague adventurers tasked with saving the world from one giant evil monster or another, their characters had vested interests in bringing about some change in their circumstances.

For no group of player-aligned characters was this as true as it was with the blood elves. From the time The Burning Crusade was released, up to now, when the next chapter of the Warcraft story (Wrath of the Lich King) is starting to unfold, the blood elves are the only player faction whose leader has turned into a major boss in a dungeon (not once but twice!), whose capital city has been deprived of one of its most significant residents (who also ended up turned into a major dungeon boss), and whose culture has undergone a complete turnaround over the course of this expansion's expanding storyline.

The draenei, of course, played a huge role in the story of The Burning Crusade, but in the end, they were mostly just very strong supporting characters. The blood elves were the stars of the show.

Stealing the Light

At this point it is important to draw a distinction between the blood elves who followed Kael'thas and the naga through the portal into Outland, and the blood elves who stayed behind in Quel'thalas and Silvermoon City. They were still one faction at this point, but a number of differences were starting to appear. For one, although the blood elves in Quel'thalas were drawing on fel energies just like their brethren in Outland, they certainly weren't surrounded by demons like Illidan and all his minions all the time, not to mention the vast energies of the evil Twisting Nether, which surrounded all of Outland. Thus, the blood elves in Outland were saturated to overflowing in magic and power, while the blood elves in Quel'thalas were still rather hungry for it.

Therefore, Kael'thas thought it wise to send the gift of this captured naaru, named M'uru, back to Silvermoon City, so that his people there could have more energy to help quench their magical thirst. Soon, however, the blood elves of Quel'thalas found a way to start using this power of the Light rather than merely feeding on it, casting spells and blessings in the same way that human, dwarven, and draenei paladins could -- while the other races drew on the Light through the power of their faith, the blood elves learned to control it as it flowed through M'uru.

The first blood elf to take up this path of corrupted paladinhood was Lady Liadrin, who then founded the order of Blood Knights that became infamous throughout Azeroth and Outland alike. Thrall and the other leaders of the Horde disagreed with the methods the Blood Knights had employed, but could not deny their strategic value on the battlefield.