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The stillness round my form Was like the stillness in the air Between the heaves of storm The eyes beside had wrung them dry, And breaths were gathering sure For that last onset, when the king Be witnessed in his power. I willed my keepsakes, signed away What portion of me I Could make assignable,– and then There interposed a fly,
The Storm Before the Calm (stylized in all lowercase) is the tenth (and eighth international) studio album by Canadian-American singer-songwriter Alanis Morissette, released June 17, 2022, via Epiphany Music and Thirty Tigers, [2] as well as by RCA Records in Europe. Described as a meditation album, the ambient project was co-written with and ...
The Stillness of the Wind is a farming simulation game developed by Coyan Cardenas and published by Fellow Traveler. An indie game released on February 7, 2019, The Stillness of the Wind focuses on Talma, an elderly goat farmer who tends her isolated farm as messages from the city where her family has moved become darker and darker.
The eye of the storm where there is stillness, and all around is disaster. “Here was Andy at the centre of all this horror: the horror of modern life. Yet Andy was unaffected.
The poem was written in 1919 in the aftermath of the First World War [4] and the beginning of the Irish War of Independence in January 1919, which followed the Easter Rising in April 1916, and before the British government had decided to send in the Black and Tans to Ireland. Yeats used the phrase "the second birth" instead of "the Second ...
This world was shown to the prophet by God through symbolism: in the form of the wind, since the world disappears as the wind; storm is the day of death, before which man trembles; fire is the judgment in Gehenna; and the stillness is the last day. Three years after this vision, Elijah was "translated."
The Storm on the Sea of Galilee by Rembrandt, 1632. Calming the storm is one of the miracles of Jesus in the Gospels, reported in Matthew 8:23–27, Mark 4:35–41, and Luke 8:22–25 (the Synoptic Gospels ). This episode is distinct from Jesus' walk on water, which also involves a boat on the lake and appears later in the narrative.
Similar in structure to Tchaikovsky's better-known Romeo and Juliet fantasy-overture, it contains themes depicting the stillness of the ship at sea, the grotesque nature of Caliban, and the love between Ferdinand and Miranda. The love music is particularly strong, being reminiscent of the love music from Romeo and Juliet.