Search results
Results from the WOW.Com Content Network
Theatre in education (TIE) is the use of theatre for purposes beyond entertainment, such as changing knowledge, attitudes, and behaviour. It involves trained actors/educators performing for students or communities, with interactive and performative moments.
Theatre in Pakistan has been developed and influenced by the traditional and ritual Persian theatre as well as the classical Indian dance practices of the Mughal Empire.As an Islamic state, the production of plays and theatrical performances in the past was not condoned in the country for religious reasons that is why this performing art did not have the opportunity to develop and flourish.
He co-founded the theatre company, Aasakta Kalamanch in 2003. [2] Takalkar has directed more than 30 experimental plays in Marathi, Hindi, Urdu, Kannada, Marwari and English languages. He has directed movies including The Bright Day and Medium Spicy. He also runs his restaurant Barometer in Pune. [3]
Learn about the origins, development and features of Urdu literature, written in the Urdu language. Explore the religious, Deccani and Mughal periods, the forms and figures of Urdu poetry and prose, and the literary prizes and institutions.
Habib Tanvir (1923-2009) was a renowned Indian playwright, director, poet and actor. He was a pioneer of Urdu and Hindi theatre, and created a "theatre of roots" with folk elements and social themes.
Learn about the diverse and rich culture of Pakistan, based on the Indo-Persian heritage and influenced by Islam, globalisation, and regional differences. Explore the literature, music, performing arts, architecture, and more of this South Asian country.
Agha Hashar Kashmiri (born Muhammad Shah; 3 April 1879 – 1 April 1935) was an Urdu poet, playwright and dramatist. A number of his plays were Indian Shakespearean adaptations. A number of his plays were Indian Shakespearean adaptations.
Parsi theatre is a generic term for an influential theatre tradition, staged by Parsis, and theatre companies largely-owned by the Parsi business community, which flourished between 1850 and the 1930s. [1] Plays were primarily in the Hindustani language (especially the Urdu dialect), as well as Gujarati to an extent.