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The 5th Quarter is a 2011 American drama film written, directed and produced by Rick Bieber and starring Aidan Quinn, Andie MacDowell, and Ryan Merriman.. The option of the film was an interest to Ryan Johnston, a co-producer of the film, who was responsible in raising the $6.7 million dollars to produce the film.
Swiss Miss, (1926) arrangement of a song from Lady, Be Good. Machinery Gone Mad, (1927) unpublished. Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name. Merry Andrew, (1928) arrangement of a dance piece from Rosalie. Three-Note Waltz, (1931) Also known as Melody #36.
The University of Wisconsin Marching Band (also known as Badger Band, and The Wisconsin Band [1]) is the marching band for the University of Wisconsin–Madison. It was formed in the fall of 1885 to support the university military battalion. Today, it has grown to about 300 members and performs at all home Badger football games.
Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin, released on 28 March 1973 in the United States and on 30 March 1973 in the United Kingdom by Atlantic Records. [4] [5] The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements ...
The Paul Metsers Songbook, published in 1986, contained many of the songs from his first four albums, plus one that would appear on Fifth Quarter. He currently lives in Cumbria in the English Lake District. Since 2010, he has been performing again on a limited basis, and has a collection of new songs for eventual planned album release.
The single, produced by Bones Howe and arranged by Bob Alcivar and Artie Butler, [2] reached #5 on the U.S. adult contemporary chart, #9 on the Canadian adult contemporary chart, [3] and #32 on the Billboard Hot 100 in 1973, marking the band's last Top 40 hit. [4] It was featured on their 1973 album, Living Together, Growing Together.
Moonlight. (2016) Tramps. (2016) Moonlight (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film of the same name directed by Barry Jenkins. The film's original score is composed by Nicholas Britell who applied a chopped and screwed technique of hip hop remixes to orchestral music, producing a "fluid, bass-heavy score".
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