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For films named drama, see Drama (disambiguation) § Film and television. Gone with the Wind is a popular romance drama. In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. [ 1 ] The drama of this kind is usually qualified with additional terms that ...
This is a list of genres of literature and entertainment (film, television, music, and video games), excluding genres in the visual arts.. Genre is the term for any category of creative work, which includes literature and other forms of art or entertainment (e.g. music)—whether written or spoken, audio or visual—based on some set of stylistic criteria.
Vignette (literature) A vignette (/ vɪnˈjɛt / ⓘ, also / viːnˈ -/) is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. [1][2] Vignettes are more focused on vivid imagery and meaning rather than plot. [3]
Screenwriting. Appearance. Example of a page from a screenplay formatted for a feature-length film. Screenwriting or scriptwriting is the art and craft of writing scripts for mass media such as feature films, television productions or video games. It is often a freelance profession.
List of story structures. A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
Interactive storytelling. Interactive storytelling (also known as interactive drama) is a form of digital entertainment in which the storyline is not predetermined. The author creates the setting, characters, and situation which the narrative must address, but the user (also reader or player) experiences a unique story based on their ...
Nonlinear narrative is a storytelling technique in which the events are depicted, for example, out of chronological order, or in other ways where the narrative does not follow the direct causality pattern of the events featured, such as parallel distinctive plot lines, dream immersions, flashbacks, flashforwards or narrating another story inside the main plot-line.