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Preceded by. The Great Deception. Followed by. Scared to Death: From BSE to Global Warming. The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung -influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years. [1]
Theme (narrative) In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
Overarching themes. First contact with aliens. Artificial intelligence. Machine rule / Cybernetic revolt / AI takeover. Extraterrestrials in fiction. End of humanity: Apocalyptic and post-apocalyptic fiction. The future. Apocalyptic and post-apocalyptic fiction: Apocalypses or worldwide disasters and new societies that develop after the event.
Storytelling is a means for sharing and interpreting experiences. Peter L. Berger says human life is narratively rooted, humans construct their lives and shape their world into homes in terms of these groundings and memories. Stories are universal in that they can bridge cultural, linguistic and age-related divides.
A creation myth (or creation story) is a cultural, religious or traditional myth which describes the earliest beginnings of the present world. Creation myths are the most common form of myth, usually developing first in oral traditions, and are found throughout human culture.
Human-interest story. In journalism, a human-interest story is a feature story that discusses people or pets in an emotional way. [1] It presents people and their problems, concerns, or achievements in a way that brings about interest, sympathy or motivation in the reader or viewer. Human-interest stories are a type of soft news.
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
A narrative, story, or tale is any account of a series of related events or experiences, [1] [2] whether non-fictional ( memoir, biography, news report, documentary, travelogue, etc.) or fictional ( fairy tale, fable, legend, thriller, novel, etc.). [3] [4] [5] Narratives can be presented through a sequence of written or spoken words, through ...
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