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0745-9696. OCLC number. 9198928. Website. seattletimes.com. The Seattle Times is an American daily newspaper based in Seattle, Washington. Founded in 1891, The Seattle Times has the largest circulation of any newspaper in the state of Washington and the Pacific Northwest region. The Seattle Times Company, which owns and publishes the paper, is ...
Golden Age Collectables. Logo. The shop in 2008. Founded. 1961; 63 years ago (1961) Website. goldenagecollectables.com. Golden Age Collectables, described as the world's oldest comic book store, is located at Seattle 's Pike Place Market, in the U.S. state of Washington. It was established in 1961.
David Horsey (born 1951) is an American editorial cartoonist and commentator. His cartoons appeared in the Seattle Post-Intelligencer from 1979 until December 2011 and in the Los Angeles Times since that time. His cartoons are syndicated to newspapers nationwide by Tribune Content Agency. [1] He won the Pulitzer Prize for Editorial Cartooning ...
2901 3rd Ave, Ste 120. Seattle, Washington, U.S. ISSN. 0745-970X. OCLC number. 3734418. Website. seattlepi.com. The Seattle Post-Intelligencer (popularly known as the Seattle P-I, the Post-Intelligencer, or simply the P-I) is an online newspaper and former print newspaper based in Seattle, Washington, United States.
National Cartoonists Society Award, 2012. Brian Basset is an American comic strip artist (Red and Rover). Previously, he worked as an editorial cartoonist for the Seattle Times from 1978 to 1994, as well as being the creator and artist behind the syndicated comic strip Adam, later changed to Adam@home (1984–2009).
Ray Collins (cartoonist) 1967 Collins cartoon in the Seattle underground paper, the Helix. Ramon Ward Collins (March 17, 1931 – March 28, 2021) was an American cartoonist who joined the staff of the Seattle Post-Intelligencer as a staff artist in 1950. He was appointed art director of magazines in 1964 and political cartoonist in 1970.
Seattle, Washington. The Seattle Cartoonists' Club was an association in Seattle, Washington, of editorial cartoonists and caricaturists in the early 20th century. Working for different papers and companies associated with publishing, the men got together to produce joint works. The men were important for their role in documenting Seattle's ...
George Gene Gustines of The New York Times wrote that Incognegro "proudly exemplifies the graphic novel". [2] Nisi Shawl of the Seattle Times wrote that "with its savvy comments on racial politics and privilege, Incognegro is a valiant and successful effort to redeem the past without rewriting it". [4]