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Overview. One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Music history, sometimes called historical musicology, is a highly diverse subfield of the broader discipline of musicology that studies music from a historical point of view. In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Nigerian music or the history of rock ).
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music .
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Music theory is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships. In addition, there is also a body of theory concerning practical aspects ...
In the 19th century, the form became popular in many ballrooms in different parts of Europe. "Mazurka" is a Polish word, it means a Masovian woman or girl. It is a feminine form of the word "Mazur", which — until the nineteenth century — denoted an inhabitant of Poland's Mazovia region ( Masovians, formerly plural: Mazurzy ). The similar ...
In music, an invention is a short composition (usually for a keyboard instrument) in two-part counterpoint. (Compositions in the same style as an invention but using three-part counterpoint are known as sinfonias. Some modern publishers call them "three-part inventions" to avoid confusion with symphonies .) Well-known examples are the fifteen ...
In 19th century romantic music, a piano ballad (or 'ballade') is a genre of solo piano pieces [1] [2] written in a balletic narrative style, often with lyrical elements interspersed. This type of work made its first appearance with Chopin 's Ballade No. 1 in G minor, Op. 23 of 1831–35, closely followed by the ballad included in Clara Schumann ...
"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."