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Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
However, even if both techniques have inherent noise, it is widely appreciated that for color, digital photography has much less noise/grain than film at equivalent sensitivity, leading to an edge in image quality. [10] For black-and-white photography, grain takes a more positive role in image quality, and such comparisons are less valid.
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, which shoots on film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions.
Digital cinema refers to the adoption of digital technology within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film. Whereas film reels have to be shipped to movie theaters, a digital movie can be distributed to cinemas in a number of ways: over the ...
Digital imaging. Digital imaging or digital image acquisition is the creation of a digital representation of the visual characteristics of an object, [1] such as a physical scene or the interior structure of an object. The term is often assumed to imply or include the processing, compression, storage, printing and display of such images.
Films are achieving the 2.35 to 1 aspect ratio by cropping the screen, so Star Wars and Superman Returns are actually 1920 x 817 = 1,568,681 or one and a half megapixel. The theatre near my house has a digital projector, and even at this resolution, the image is outstanding for both digital and film-shot movies.
Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside the movie camera. [1] These exposures are created sequentially and preserved for later processing and viewing as a motion picture.
Christopher Nolan is a British-American filmmaker known for using aesthetics, themes and cinematic techniques that are recognisable in his work. Regarded as an auteur filmmaker, Nolan is partial to elliptical editing, documentary -style lighting, hand-held camera work, natural settings, and real filming locations over studio work.