Search results
Results from the WOW.Com Content Network
Beauty Is the Word Beauty Is the Word is Tennessee Williams' first play. The 12-page one-act was written in 1930 while Williams was a freshman at University of Missouri in Columbia, Missouri and submitted to a contest run by the school's Dramatic Arts Club. [1] Beauty was staged in competition and became the first freshman play ever to be selected for citation (it was awarded honorable mention ...
Below is a chronological list of works by Rabindranath Tagore between 1877 and 1941. Tagore wrote most of his short stories, novels, drama, poems and songs in Bengali ...
Three Blind Mice is the name of a half-hour radio play written by Agatha Christie, which was later adapted into a television film, a short story, and a popular stage production.
Tea Party. (play) Tea Party is a play written by Harold Pinter, which Pinter adapted from his own 1963 short story of the same title. [1][2] As a screenplay, it was commissioned by the European Broadcasting Union, directed by Charles Jarrott, and first transmitted on BBC Television in the programme The Largest Theatre in the World on 25 March ...
The play was first published in 1958 by Samuel French Ltd. in a paperback edition priced at six shillings. Like Black Coffee (1998) and Spider's Web (2000), the script of the play was turned into a novel by Charles Osborne. It was published in the UK by HarperCollins in 1999.
Category:One-act plays This is used to categorise short, one-act dramas. It should not be used for full-length plays that have no act divisions.
Nadia Davids (born in Cape Town, 1977) [1] is a South African playwright, novelist, and author of short stories and screenplays. Her work has been published, produced, and performed in Southern Africa, Europe, and the United States. She was a Philip Leverhulme Prize winner in 2013. Her play What Remains won five Fleur du Cap Theatre Awards. [2] In 2017, Davids was elected president of PEN ...
The Thirty-Six Dramatic Situations. The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works.