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Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten letterforms of the mid-15th century calligraphy were the natural models for letterforms in systematized typography. [1]
The vast majority of modern computer fonts use Unicode mappings, even those fonts which only include glyphs for a single writing system, or even only support the basic Latin alphabet. Fonts which support a wide range of Unicode scripts and Unicode symbols are sometimes referred to as "pan-Unicode fonts", although as the maximum number of glyphs ...
In Latin script typography, roman is one of the three main kinds of historical type, alongside blackletter and italic. Sometimes called normal, it is distinct from these two for its upright style (relative to the calligraphy-inspired italic) and its simplicity (relative to blackletter). During the early Renaissance, roman (in the form of ...
Futura (typeface) Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt -project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
In September 2020 FontMesa released a Mexican style version of Algerian under the name Taco which is a multi layered font family including 20 styles. In December 2023 Michael Hagemann of FontMesa type foundry created a rounded edge version of Algerian, released under the name Algerian Rnd, this greatly expanded the usability of the original design.
Typeface name Example 1 Example 2 Example 3 Adobe Jenson Designer: Robert Slimbach Class: Old style : Albertus Designer: Berthold Wolpe Class: Glyphic : Aldus Designer: Hermann Zapf Class: Old style : Alexandria Designer: Hank Gillette Class: Slab serif Sub-class: Geometric: American Typewriter Designer: Joel Kaden & Tony Stan Class: Old style ...
One of the earliest humanist designs was Edward Johnston's Johnston typeface from 1916, and, a decade later, Gill Sans (Eric Gill, 1928). Edward Johnston, a calligrapher by profession, was inspired by classic letter forms, especially the capital letters on the Column of Trajan. Humanist designs vary more than gothic or geometric designs.
Anatomy of a Devanagari typeface. Typeface anatomy describes the graphic elements that make up letters in a typeface. [1] [2] Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller.