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Lucille (guitar) A Gibson Lucille model semi-acoustic guitar, unique for having no f-holes. Lucille is the name American blues musician B.B. King (1925–2015) gave to his guitars. They were usually black Gibson guitars similar to the ES-330 or ES-355, and Gibson introduced a B.B. King custom model in 1980, based upon the latter.
Lucy (Albert King guitar) Albert King in 1978 with the second Lucy, made by Dan Erlewine. Note the inlay on the head ("Lucy") and on the neck ("Albert King"). Lucy is the name given to the Gibson Flying V and a series of copies owned by blues guitarist Albert King. King apparently picked the Flying V (at a time when few other guitarists did [1 ...
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American guitarist, songwriter and singer.Although his mainstream career spanned only four years, he is widely regarded as the greatest and one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century.
I’ve never experienced that before.”. Weeks earlier, Diaz, 38, revealed that her beloved instrument was destroyed as she was on her way to Europe to open for Kacey Musgraves on the Deeper Well ...
Originally two- or three-tone sunburst; many other colors subsequently produced. The Fender Stratocaster, colloquially known as the Strat, is a model of electric guitar designed between 1952 and 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the ...
Lucille Marie Raymonde Savoie (May 13, 1938 – September 4, 2020), known professionally as Lucille Starr, was a Canadian singer, songwriter, and yodeler originally from Saint Boniface, Manitoba. She was best known for her 1964 hit single, "The French Song" (" Quand Le Soleil Dit Bonjour Aux Montagnes ", When the sun says hello to the mountains).
Shave 'Em Dry. "Shave 'Em Dry" is a dirty blues song, first recorded by Ma Rainey [1] in August 1924 in Chicago. [2] It was released on Paramount Records on September 6, 1924. Rainey was accompanied on the recording by two unknown guitarists (one of them was possibly Miles Pruitt). [3] [4] The record was advertised in The Chicago Defender on ...
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