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A free-bass system is a system of left-hand bass buttons on an accordion, arranged to give the performer greater ability to play melodies with the left-hand and form one's own chords. The left-hand buttonboard consists of single-note buttons with a range of three octaves or more, in contrast to the standard Stradella bass system, which offers a ...
Since Music Man was purchased by Ernie Ball Inc. in 1984, many significant introductions have been made into the StingRay range, with double Humbucking pickups being introduced in the early 2000's and has become a popular choice today. A 5 string variant of the StingRay has become common in modern times, in some spaces even outselling the ...
Modo (software) Modo (stylized as MODO, and originally modo) [3] is a polygon and subdivision surface modeling, sculpting, 3D painting, animation and rendering package developed by Luxology, LLC, which is now merged with and known as Foundry. The program incorporates features such as n-gons and edge weighting, and runs on Microsoft Windows ...
Police in Los Angeles arrested a suspect following a break-in at the home of Mayor Karen Bass on Sunday morning, officials said. Bass and her family were not harmed when a suspect gained access to ...
Mandobass. The Mandobass is the largest (and least common) member of the mandolin family, sometimes used as the bass instrument in mandolin orchestras. It is so large that players usually hold it like a double bass —upright and supported on an endpin that rests on the floor. The neck-scale length on a full-size mando-bass is similar to that ...
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A bass instrument ( / beɪs /) is a musical instrument that produces tones in the low-pitched range C 2 –C 4. [1] Basses belong to different families of instruments and can cover a wide range of musical roles. Since producing low pitches usually requires a long air column or string, the string and wind bass instruments are usually the largest ...
The first recorded performance was on April 20, 1959, at the Sunset Auditorium in Carmel, California, with Santamaría on percussion. [1] "Afro Blue" was the first jazz standard built on a typical African 3:2 cross-rhythm, or hemiola. [2] The song begins with the bass repeatedly playing six cross-beats per measure of 12.