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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1][2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem with ...
Rhyme scheme. A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Broken rhyme is a type of enjambement producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line. Cross rhyme matches a sound or sounds at the end of a line with the same sound or sounds in the middle of the following (or preceding) line. [6] A rhyme scheme is the pattern of rhyming lines ...
Rhyme royal. Rhyme royal (or rime royal) is a rhyming stanza form that was introduced to English poetry by Geoffrey Chaucer. [1] The form enjoyed significant success in the fifteenth century and into the sixteenth century. It has had a more subdued but continuing influence on English verse in more recent centuries.
A Christmas Tale, Told by a School-boy to his little brothers and sisters. "Underneath an old oak tree". 1797. 1798, March 10. To an Unfortunate Woman at the Theatre. "Maiden, that with sullen brow". 1797. 1797, December 7. To an Unfortunate Woman whom the Author had known in the days of her Innocence.
Alliterative verse. The Old English epic poem Beowulf is written in alliterative verse. In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. [1] The most commonly studied traditions of alliterative verse are ...
Nicholas Eberstadt (grandson) Frederic Ogden Nash (August 19, 1902 – May 19, 1971) was an American poet well known for his light verse, of which he wrote more than 500 pieces. With his unconventional rhyming schemes, he was declared by The New York Times to be the country's best-known producer of humorous poetry.
These 36 poems were written in a hybrid form based on the Petrarchan sonnet that invariably ends with a rhyming couplet reminiscent of the Shakespearean sonnet. [105] Most of these poems are discontinuous, though unified by theme, being vignettes descriptive of the kinds of dreamed and otherworldly scenarios found in Lovecraft's fiction. [106]