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Music of Africa. Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, jùjú, fuji, afrobeat, highlife, Congolese rumba, soukous, ndombolo, makossa, kizomba, Taarab, and others. [1] African music also uses a large variety ...
Afrobeat (also known as Afrofunk [1] [2]) is a Nigerian music genre that involves the combination of West African musical styles from mainly Nigeria such as the traditional Yoruba and Igbo music and highlife with American funk, jazz, and soul influences. [3] With a focus on chanted vocals, complex intersecting rhythms, and percussion. [4]
Afro rock. Afro rock is a style of rock music with African influences. Afro rock is a dynamic interplay between Western rock music and African musical elements such as rhythm, melodies and instrumentation. Afro rock bands and artists in the late 1960s and early 1970s included Osibisa, Assagai and Lafayette Afro Rock Band .
b Mauritius and the Seychelles are to the east and north-east of Madagascar respectively. East Africa Time, or EAT, is a time zone used in eastern Africa. The time zone is three hours ahead of UTC ( UTC+03:00 ), which is the same as Moscow Time, Arabia Standard Time, Further-eastern European Time and Eastern European Summer Time. [1]
South African sensation Tyla’s “Water” cemented the ascendance of amapiano, making the artist the highest-charting African female solo act of all time after peaking at No. 10 on the ...
East African urban music. East African urban music is a popular music genre of the three countries customarily grouped as "East Africa": Kenya, Tanzania and Uganda. The genre is basically an offshoot of western popular music, particularly hip hop and funk, somewhat influenced by more traditional African music. Kapuka, genge, and bongo flava are ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
In African music, this is a cross-rhythmic fragment generated through cross-rhythm: 8 pulses ÷ 3 = 2 cross-beats (consisting of three pulses each) with a remainder of a partial cross-beat (spanning two pulses). In divisive form, the strokes of tresillo contradict the beats while in additive form, the strokes of tresillo are the beats.