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The Palooka. The Palooka is a 1937 one-act about an old has-been boxer. The characters are The Palooka (Galveston Joe), The Kid and The Trainer. The Kid is nervous about his first fight, and The Palooka relieves the Kid's anxiety by telling about the fictional life he wanted to lead after he retired as Galveston Joe.
Plays Pleasant and Unpleasant: (Unpleasant: Widowers' Houses, The Philanderer and Mrs. Warren's Profession. Pleasant: Arms and the Man, Candida, The Man of Destiny, You Never Can Tell.) 1898. Three Plays for Puritans ( The Devil's Disciple, Caesar and Cleopatra, Captain Brassbound's Conversion) 1901.
The Go-Between (1970) The Homecoming (1969) Langrishe, Go Down (1970; adapted for TV 1978; film release 2002) The Proust Screenplay (1972) — published 1978, but unproduced for film; adapted by Harold Pinter and director Di Trevis for the stage (2000); cf. Remembrance of Things Past. The Last Tycoon (1974)
1974. Nominated for three Tony Awards, winning one. The Rose Tattoo. 1951. Tennessee Williams. 1951. Won all four Tony Awards for which it was nominated. Rosencrantz and Guildenstern Are Dead. 1966.
Don Gil of the Green Breeches. Don't Dress for Dinner. Don't Drink the Water (play) The Double Deceit. The Double Deception. (previous page) (next page) Categories: Comedy by medium. Plays by genre.
Aristophanes (/ ˌærɪˈstɒfəniːz /; [2] Ancient Greek: Ἀριστοφάνης, pronounced [aristopʰánɛːs]; c. 446 – c. 386 BC) was an Ancient Greek comic playwright from Athens and a poet of Old Attic Comedy. [3] He wrote in total forty plays, of which eleven survive virtually complete today.
The Zoo Story is a one-act play by American playwright Edward Albee. His first play, it was written in 1958 and completed in just three weeks. [1] The play explores themes of isolation, loneliness, miscommunication as anathematization, social disparity and dehumanization in a materialistic world. Today, professional theatre companies can ...
The Duel Scene from 'Twelfth Night' by William Shakespeare, William Powell Frith (1842). In the First Folio, the plays of William Shakespeare were grouped into three categories: comedies, histories, and tragedies; [1] and modern scholars recognise a fourth category, romance, to describe the specific types of comedy that appear in Shakespeare's later works.
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