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Early 20th-century English novelist E. M. Forster described plot as the cause-and-effect relationship between events in a story. According to Forster, "The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot."
Mélodrame painted by Honoré Daumier between 1855 and 1860, depicting a typical Parisian scene as was the case on Boulevard du Temple.. A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization.
The category of narratives includes both the shortest accounts of events (for example, the cat sat on the mat or a brief news item) and the most extended historical or biographical works, diaries, travelogues, and so forth, as well as novels, ballads, epics, short stories, and other fictional forms. In the study of fiction, it is usual to ...
One example of the "man against man" conflict is the relationship struggles between the protagonist and the antagonist stepfather in This Boy's Life. [13] Other examples include Dorothy's struggles with the Wicked Witch of the West in The Wonderful Wizard of Oz and Tom Sawyer's confrontation with Injun Joe in The Adventures of Tom Sawyer. [1]
A drinking cup, c. 490–480 B.C., depicting a maenad and a satyr.. The satyr play is a form of Attic theatre performance related to both comedy and tragedy.It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes.
The Body, short story by Stephen King (1982) The Color Purple, by Alice Walker (1982) The Sheep-Pig, by Dick King-Smith (1983) Ender's Game, by Orson Scott Card (1985) [5] It, by Stephen King (1986) This Boy's Life, memoirs by Tobias Wolff (1989) What's Eating Gilbert Grape, by Peter Hedges (1991) The Virgin Suicides, by Jeffrey Eugenides (1993)
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works.
The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung-influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years.
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