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Hindi. Modern Standard Hindi ( Hindi: आधुनिक मानक हिन्दी, romanized : Ādhunik Mānak Hindī ), [14] commonly referred to as Hindi (Hindi: हिन्दी, [a] Hindī ), is an Indo-Aryan language spoken chiefly in North India, and serves as the lingua franca of the Hindi Belt region encompassing parts of ...
The caste system in India is the paradigmatic ethnographic instance of social classification based on castes. It has its origins in ancient India, and was transformed by various ruling elites in medieval, early-modern, and modern India, especially in the aftermath of the collapse of the Mughal Empire and the establishment of the British Raj.
The history of the Fifth and Sixth Crusades is well represented in the works of Jacques de Vitry, Oliver of Paderborn and Roger of Wendover, and the Arabic works of Badr al-Din al-Ayni. Key sources for the later Crusades include Gestes des Chiprois , Jean de Joinville 's Life of Saint Louis, as well as works by Guillaume de Nangis , Matthew ...
The Romani, also spelled Romany or Rromani ( / ˈroʊməni / ROH-mə-nee or / ˈrɒməni / ROM-ə-nee) and colloquially known as the Roma ( sg.: Rom ), are an ethnic group of Indo-Aryan origin [71] [72] [73] who traditionally lived a nomadic, itinerant lifestyle. Linguistic and genetic evidence suggests that the Romani originated in the Indian ...
On Japanese maps, a swastika (left-facing and horizontal) is used to mark the location of a Buddhist temple. The right-facing swastika is often referred to as the gyaku manji (逆卍, lit. "reverse swastika") or migi manji (右卍, lit. "right swastika"), and can also be called kagi jūji (鉤十字, literally "hook cross") .
The region today: Israel, the West Bank, the Gaza Strip and the Golan Heights The history of the Israeli–Palestinian conflict traces back to the late 19th century when Zionists sought to establish a homeland for the Jewish people in Ottoman-controlled Palestine, a region roughly corresponding to the Land of Israel in Jewish tradition.
Romanticism placed the highest importance on the freedom of the artists to authentically express their sentiments and ideas. The movement prioritized the artist's unique, individual imagination above the strictures of classical form, and emphasized intense emotion as an authentic source of aesthetic experience.
The exact meaning of the term is unknown, but it is often thought to mean either "one who has thus gone" (tathā-gata), "one who has thus come" (tathā-āgata), or sometimes "one who has thus not gone" (tathā-agata). This is interpreted as signifying that the Tathāgata is beyond all coming and going – beyond all transitory phenomena.