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The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn.
Steven Mintz (born 1953), is an American historian at the University of Texas at Austin. For five years, from 2012 through 2017, he served as executive director of the University of Texas System's Institute for Transformational Learning. This institute is tasked with delivering a high-quality education that is more affordable and accessible ...
The man who captured the jazz age on film. In 1930 George Hoyningen-Huene pulled off one of the greatest dupes in the history of photography. Taking his large-format camera up onto the roof of the ...
It was an age of miracles, it was an age of art, it was an age of excess, and it was an age of satire. —F. Scott Fitzgerald, "Echoes of the Jazz Age" [1] " Echoes of the Jazz Age " is a short essay by American writer F. Scott Fitzgerald that was first published in Scribner's Magazine in November 1931. [2] [3] The essay analyzes the societal ...
For traveling musicians, there are two versions of life on the road. Jazz greats Duke Ellington, Count Basie and Louis Armstrong gave their own sentimentalized retelling of their nomadic existence ...
#10. C.J. Miles - NBA debut age: 18 years, 241 days - Team: Utah Jazz. Before the 2005 draft, C.J. Miles had already signed on to the University of Texas basketball team, his father declaring if C ...
Afro-Cuban jazz renaissance. For most of its history, Afro-Cuban jazz had been a matter of superimposing jazz phrasing over Cuban rhythms. But by the end of the 1970s, a new generation of New York City musicians had emerged who were fluent in both salsa dance music and jazz, leading to a new level of integration of jazz and Cuban rhythms.
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