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Chromostereopsis. Blue–red contrast demonstrating depth perception effects. 3 Layers of depths "Rivers, Valleys & Mountains". Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey ...
A blueprint is a reproduction of a technical drawing or engineering drawing using a contact print process on light-sensitive sheets introduced by Sir John Herschel in 1842. [1] The process allowed rapid and accurate production of an unlimited number of copies. It was widely used for over a century for the reproduction of specification drawings ...
CMYK color model. Color printing typically uses ink of four colors: cyan, magenta, yellow, and black. When subtractive CMY inks are combined at full strength, pairwise combinations are red, green, and blue. Combining all three gives an imperfect black color. What appears as cerulean ( ) in the top image is actually a blend of cyan, magenta ...
Yellow dots on white paper, produced by color laser printer (enlarged, dot diameter about 0.1 mm) Printer tracking dots, also known as printer steganography, DocuColor tracking dots, yellow dots, secret dots, or a machine identification code (MIC), is a digital watermark which many color laser printers and copiers produce on every printed page that identifies the specific device that was used ...
Cyanotype. The cyanotype (from Ancient Greek: κυάνεος, kyáneos 'dark blue' and τύπος, týpos 'mark, impression, type') is a slow-reacting, economical photographic printing formulation sensitive to a limited near ultraviolet and blue light spectrum, the range 300 nm to 400 nm known as UVA radiation. [1]
The effect has been used to create a psychological test (the Stroop test) that is widely used in clinical practice and investigation. [ 1 ] A basic task that demonstrates this effect occurs when there is a mismatch between the name of a color (e.g., "blue", "green", or "red") and the color it is printed in (i.e., the word "red" printed in blue ...
SMPTE ECR 1-1978 (SDTV) In a SMPTE color bar image, the top two-thirds of the television picture contain seven vertical bars of 75% intensity. In order from left to right, the colors are white or gray, yellow, cyan, green, magenta, red, and blue. [18] The choice of white or gray depends on whether that bar's luminance is 100% or not.
The most common color mixing models are the additive primary colors (red, green, blue) and the subtractive primary colors (cyan, magenta, yellow). Red, yellow and blue are also commonly taught as primary colours, despite some criticism due to its lack of scientific basis.