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  2. Volley theory - Wikipedia

    en.wikipedia.org/wiki/Volley_theory

    The volley principle is predominantly seen during the pitch perception of lower frequencies where sounds are often resolved. Goldstein proposed that through phase-locking and temporal frequencies encoded in neuron firing rates, the brain has the itemization of frequencies that can then be used to estimate pitch.

  3. Place theory - Wikipedia

    en.wikipedia.org/wiki/Place_theory

    Place theory. Place theory is a theory of hearing that states that our perception of sound depends on where each component frequency produces vibrations along the basilar membrane. By this theory, the pitch of a sound, such as a human voice or a musical tone, is determined by the places where the membrane vibrates, based on frequencies ...

  4. Temporal theory (hearing) - Wikipedia

    en.wikipedia.org/wiki/Temporal_theory_(hearing)

    Temporal theory (hearing) The temporal theory of hearing, also called frequency theory or timing theory, states that human perception of sound depends on temporal patterns with which neurons respond to sound in the cochlea. Therefore, in this theory, the pitch of a pure tone is determined by the period of neuron firing patterns—either of ...

  5. Temporal envelope and fine structure - Wikipedia

    en.wikipedia.org/wiki/Temporal_envelope_and_fine...

    Temporal envelope (ENV) and temporal fine structure (TFS) are changes in the amplitude and frequency of sound perceived by humans over time. These temporal changes are responsible for several aspects of auditory perception, including loudness, pitch and timbre perception and spatial hearing . Complex sounds such as speech or music are ...

  6. Neuroscience of music - Wikipedia

    en.wikipedia.org/wiki/Neuroscience_of_music

    The neuroscience of music is the scientific study of brain-based mechanisms involved in the cognitive processes underlying music. These behaviours include music listening, performing, composing, reading, writing, and ancillary activities. It also is increasingly concerned with the brain basis for musical aesthetics and musical emotion.

  7. Pitch (music) - Wikipedia

    en.wikipedia.org/wiki/Pitch_(music)

    Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration ( audio frequency ). [5] Pitch is closely related to frequency, but the two are not equivalent. Frequency is an objective, scientific attribute which can be measured.

  8. Psychoacoustics - Wikipedia

    en.wikipedia.org/wiki/Psychoacoustics

    Psychoacoustics. Psychoacoustics is the branch of psychophysics involving the scientific study of sound perception and audiology —how the human auditory system perceives various sounds. More specifically, it is the branch of science studying the psychological responses associated with sound (including noise, speech, and music ).

  9. Ernst Terhardt - Wikipedia

    en.wikipedia.org/wiki/Ernst_Terhardt

    Electrical engineer. Ernst Terhardt (born 11 December 1934) is a German engineer and psychoacoustician who made significant contributions in diverse areas of audio communication including pitch perception, music cognition, and Fourier transformation. He was professor in the area of acoustic communication at the Institute of Electroacoustics ...