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Hendro (drum) Aditya Pratama (drum) Andi Toha (saxophone, trumpet) Website. Tipe-X on Instagram. Tipe-X (English: Type-X) is an Indonesian ska band formed in 1995 [1] in Jakarta. The group consists of Tresno Riadi (vocals), Micky (bass), Yoss (guitar), Arie Hardjo (drums), Billy (guitar), and Anto (trombone) As of 2021, the group has released ...
Mouth organ. Developed. Northern Borneo: Sabah, Malaysia. Sompoton or Sumpotan, is a mouth organ made from a gourd with bamboo pipes in northern Borneo. [1] It originated in the state of Sabah and is played by indigenous men and women in Sabah, especially by the Kadazan-Dusun and Murut. [2][3][4]
Acehnese. v. t. e. Kolintang is a traditional Minahasan percussion instrument from North Sulawesi, Indonesia, consisting of wooden blades arranged in a row and mounted on a wooden tub. [1] Kolintang is usually played in ensemble music. Kolintang in the Minahasan community is used to accompany traditional ceremonies, dance, singing, and music.
Gombloh. Soedjarwoto Soemarsono (July 14, 1948 – January 9, 1988), better known by his stage name Gombloh, was an Indonesian singer and songwriter. He received the Nugraha Bhakti Musik Indonesia award from the Association of Singer Artists, Songwriters and Recording Music Arrangers of the Republic of Indonesia (Indonesian: Persatuan Artis ...
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most ...
Quintal harmony (the harmonic layering of fifths specifically) is a lesser-used term, and since the fifth is the inversion or complement of the fourth, it is usually considered indistinct from quartal harmony. Because of this relationship, any quartal chord can be rewritten as a quintal chord by changing the order of its pitches.
3-9 / 9-9. A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound, while the dissonance between the fourth and fifth or second and root creates tension.
F–C7–F, F–F ♯ 7–F, B–F ♯ 7–B, then B–C7–B. In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions.