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Segankuru. The segankuru is a bowed trough zither, bar zither or musical bow, a string instrument found in Botswana and other areas of South Africa, and found under many names. It consists of a wooden body attached to a tin can resonator, with a single metal string played with a bow. The instruments main role is for self or group entertainment ...
Xhosa music has long been a major part of the music of South Africa, especially in the field of jazz. Since olden times, singing has been a tradition and part of culture among the Xhosas. Xhosa music is characteristically expressive and communicative which includes rhythmical expression of words and sounds. It also includes physical movement ...
The Zulu people are a South African ethnic group. Many Zulu musicians have become a major part of South African music, creating a huge influence in the music industry. A number of Zulu-folk derived styles have become well known across South Africa and abroad. Zulu music has dominated many genres in South Africa, especially house music, folk ...
Category. : South African musical instruments. Wikimedia Commons has media related to Musical instruments of South Africa. Musical instruments of South Africa. For musical instruments in southern Africa, see Category:Southern African musical instruments .
A griot (/ ˈɡriːoʊ /; French: [ɡʁi.o]; Manding: jali or jeli (in N'Ko: ߖߋ߬ߟߌ, [1] djeli or djéli in French spelling); also spelt Djali; Serer: kevel or kewel / okawul; Wolof: gewel) is a West African historian, storyteller, praise singer, poet, and/or musician. Instead of writing history books, oral historians tell stories of the ...
South African jazz musicians by instrument (7 C) A. South African accordionists (3 P) D. South African drummers (1 C, 7 P) F. South African flautists (1 C) G.
Amapiano, a South African music genre taken from the Zulu word for "pianos", is a subgenre of kwaito and house music that emerged in South Africa in the mid- 2010s. It is a hybrid of deep house, gqom, jazz, soul and lounge music characterized by synths and wide, percussive basslines.
One of the first major bebop groups in South Africa in the 1950s was the Jazz Epistles. [2] This group consisted of trombonist Jonas Gwangwa, trumpeter Hugh Masekela, saxophonist Kippie Moeketsi, and pianist Abdullah Ibrahim (then known as Dollar Brand). This group brought the sounds of United States bebop, created by artists such as Dizzy ...
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