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The Southeast Review continues the contest but has increased the maximum to 500 words. [10] In 1996 Stern published Micro Fiction: an anthology of really short stories drawn, in part, from the contest. [11] It was not until 1992, however, that the term "flash fiction" came into use as a category/genre of fiction.
v. t. e. "For sale: baby shoes, never worn." is a six-word story, one of the most famous examples of flash fiction. Versions of the story date back to the early 1900s, and it was being reproduced and expanded upon within a few years of its initial publication. [1][2] The story is popularly misattributed to Ernest Hemingway; this is implausible ...
Twitterature (a portmanteau of Twitter and literature) is a literary use of the microblogging service of X (formerly known as Twitter). It includes various genres, including aphorisms, poetry, and fiction (or some combination thereof) written by individuals or collaboratively. The 280-character maximum imposed by the medium, upgraded from 140 ...
Micro-SFP ( μSFP) describes an ultra-short science-fiction story written for the specific purpose of capturing inventive ideas for product or service innovations. [1] It is a combination of three concepts, first science-fiction prototyping (a methodology based on writing fictional stories to instantiate and test ideas for new products ...
List of writing genres. Writing genres (more commonly known as literary genres) are categories that distinguish literature (including works of prose, poetry, drama, hybrid forms, etc.) based on some set of stylistic criteria. Sharing literary conventions, they typically consist of similarities in theme/topic, style, tropes, and storytelling ...
A microblogging novel, also known as a micro novel, is a fictional work or novel written and distributed in small parts, commonly seen on social media platforms such as Twitter and Facebook. [1] Compared to traditional novels or novellas , a micro novel can be written with short, interconnected lines or statements.
Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories.
Published science fiction writers who have written drabbles include Brian Aldiss and Gene Wolfe (both of whom contributed to The Drabble Project), [4] Lois McMaster Bujold (whose novel Cryoburn finishes with a sequence of five drabbles, each told from the point of view of a different character), [6] [7] and Jake Bible (whose novel Dead Mech was written entirely in drabble format).