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The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or other subject types. Some artworks involve religious or fantasy topics using the quality of dim night light to create mysterious atmospheres.
Edvard Munch (/ mʊŋk / MUUNK, [ 1 ]Norwegian: [ˈɛ̀dvɑɖ ˈmʊŋk] ⓘ; 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work The Scream has become one of Western art's most acclaimed images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family.
American. Known for. Painting, bronze sculpture. Charles Marion Russell (March 19, 1864 – October 24, 1926), [1][2] also known as C. M. Russell, Charlie Russell, and " Kid " Russell, was an American artist of the American Old West. He created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United ...
A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the Royal Academy of Arts in London in 1852, with a long quote ...
The Lovers (French: Les Amants (French pronunciation: [lez‿amɑ̃])) is a surrealist painting by René Magritte, made in Paris in 1928. It's the first in a series of four variations, and in the painting two people can be seen kissing passionately with their faces covered in a white cloth hiding their identities.
Known for. Painting. Spouse. Frances Hubbard. . (m. 1856) . John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. [1][2] He was called a "remarkable and imaginative painter" by the critic and historian Christopher Wood in Victorian Painting (1999).
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. [1] Until the mid-19th century it was primarily concerned with representational and traditional modes of production, after which time more modern, abstract and conceptual forms gained favor.
Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch (1,200 mm × 1,200 mm) square canvas, it depicts a sleeping woman in a sensuous version of his classicist Academic style. It is Leighton's most recognisable work, and is much reproduced in posters and other media.
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