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Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of new media art, digital art, and electronic art. [1][2][3] On the one hand, media art histories addresses the contemporary interplay of art, technology, and science. [4][5][6] On the other, it aims to reveal ...
Whilst 2D and 3D digital art is beneficial as it allows the preservation of history that would otherwise have been destroyed by events like natural disasters and war, there is the issue of who should own these 3D scans – i.e., who should own the digital copyrights.
Digital painting is the creation of imagery on a computer, using pixels (picture elements) which are assigned a color. The process uses raster graphics rather than vector graphics, and can render graduated or blended colors in imagery which mimics traditional drawing and painting media.
Margot Lovejoy (21 October 1930 – 1 August 2019) [1] was a digital artist and historian of art and technology. She was Professor Emerita of Visual Arts at the State University of New York at Purchase. She was the author of Digital Currents: Art in the Electronic Age.
Computer art. Computer art is art in which computers play a role in the production or display of the artwork. Such art can be an image, sound, animation, video, CD-ROM, DVD-ROM, video game, website, algorithm, performance or gallery installation. Many traditional disciplines are now integrating digital technologies and, as a result, the lines ...
Graphic design is the practice of combining text with images and concepts, most often for advertisements, publications, or websites.The history of graphic design is frequently traced from the onset of moveable-type printing in the 15th century, yet earlier developments and technologies related to writing and printing can be considered as parts of the longer history of communication.
History of art. For the academic discipline, see Art history. The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative, and even functional and other purposes, but with a primary emphasis on its aesthetic visual form.
The Photo History Timeline Collection; In the eye of the camera — Illustrated historical essay about early photography; Lippmann's and Gabor's Revolutionary Approach to Imaging; The Digital Camera Museum with accurate history section and many rare items Archived 2017-02-16 at the Wayback Machine; The Fascinating Timeline of Photography Technology