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Hindi literature ( Hindi: हिन्दी साहित्य, romanized : hindī sāhitya) includes literature in the various Hindi languages which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa like Awadhi, and Marwari languages. Hindi literature is composed in three broad ...
Modern Standard Hindi ( Hindi: आधुनिक मानक हिन्दी, romanized : Ādhunik Mānak Hindī ), [14] commonly referred to as Hindi (Hindi: हिन्दी, [a] Hindī ), is an Indo-Aryan language spoken chiefly in North India, and serves as the lingua franca of the Hindi Belt region encompassing parts of northern ...
The word tantra is made up by the joining ( sandhi in Sanskrit) of two Sanskrit words: tanoti (expansion) and trayati (liberation). Tantra means liberation of energy and expansion of consciousness from its gross form. It is a method to expand the mind and liberate the dormant potential energy, and its principles form the basis of all yogic ...
Vasudeva-hindi. Vasudeva-hindi ( IAST: Vasudevahiṇḍī, "Vasudeva's wanderings") is a Jain text by Sangha-dasa, probably from 5th century India. The text narrates several stories in the form of nested narrative layers. The main story is borrowed from Gunadhya 's Brihat-katha, with the original hero Nara-vahana-datta replaced by Krishna 's ...
The exact meaning of the term is unknown, but it is often thought to mean either "one who has thus gone" (tathā-gata), "one who has thus come" (tathā-āgata), or sometimes "one who has thus not gone" (tathā-agata). This is interpreted as signifying that the Tathāgata is beyond all coming and going – beyond all transitory phenomena.
Mein Kampf was translated into various Indian languages such as Hindi, Gujarati, Malayalam, Tamil, Marathi and Bengali. Commenting on it, Balasaheb Thackeray in 1992 (weeks before the Mumbai riots ) and allegedly Veer Savarkar in 1949 (four years after defeat of Nazi Germany during World War II ) said, "If you take Mein Kampf and if you remove ...
The name Rāmāyaṇa is composed of two words, Rāma and ayaṇa. Rāma, the name of the main figure of the epic, has two contextual meanings. In the Atharvaveda, it means 'dark, dark-coloured, black' and is related to the word rātri which means 'darkness or stillness of night'. The other meaning, which can be found in the Mahabharata, is ...
For this, Asad sometimes comments on the politics of Hindi, sometimes evokes the memory of the fading classical-philosophical voice of a great singer like Amir Khan, and the language in which he does this is a new movement between Hindi-Urdu, an example of a new unity and a concerted effort to enrich our poetic language."