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Lost-wax casting. Lost-wax casting – also called investment casting, precision casting, or cire perdue ( French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Dhokra (also spelt Dokra) is non–ferrous metal casting using the lost-wax casting technique. This sort of metal casting has been used in India for over 4,000 years and is still used. One of the earliest known lost wax artefacts is the dancing girl of Mohenjo-daro. [1] The product of dhokra artisans are in great demand in domestic and foreign ...
The Agadez Cross (also Agadès Cross, Cross of Niger, French: Croix d’Agadez) is the most popular category of Saharan Berber jewelry made especially by the Tuareg people of Niger. Only a few of these pieces of jewelry exactly resemble a cross. For most of them, it is a pendant with a varied silhouette, related either to a cross (tanaghilt ...
This alloy gave the gold-works a reddish hue within the final product and allowed further malleability post the casting process. Much of the gold and Tumbaga works of the Quimbaya are believed to have been cast with the lost wax technique, a form of casting that has been found throughout ancient civilisations as early as 4000 BCE.
Known for. jewelry design. Movement. Architectonic jewellery. Spouse (s) Samuel De Patta (m.1929–1941, divorce), Eugene Bielawski (m. 1946–1964, death) Brooch designed by Margaret De Patta, circa 1950. Margaret De Patta ( née Strong; 1903–1964) was an American jewelry designer and educator, active in the mid-century jewelry movement. [1]
To create their gold pieces, the Muisca used a method called lost-wax casting. The manufacturing process itself was likely part of the ritual associated with these tunjos. The process began when the Muisca craftsperson created a wax model in the desired shape of the object, using beeswax harvested from the region.
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