Search results
Results from the WOW.Com Content Network
In 1962, RCA Victor decided it was time for Cooke to record a live album, and a warm January night at the Harlem Square Club in Miami was picked to record. The Harlem Square Club was a small downtown nightspot in Miami's historically African-American neighborhood of Overtown, and was packed with the singer's most devoted fans from his days singing gospel. [5]
The concert was originally recorded and shown as a live webcast, which happened during the band's Helldorado World Tour. The DVD of the show (and the webcast) is the first live footage of the band to feature Blackie's signature microphone stand, dubbed 'Elvis' by band and fans alike. This album according to band members is known as The Sting.
The earliest account of Nairobi's / n aɪ ˈ r oʊ b ɪ / history dates back to 1899 when a railway depot was built in a brackish African swamp occupied by a pastoralist people, the Maasai, the sedentary Akamba people, as well as the agriculturalist Kikuyu people who were all displaced by the colonialists.
Nairobi (/ n aɪ ˈ r oʊ b i / ny-ROH-bee) is the capital and largest city of Kenya. The name is derived from the Maasai phrase Enkare Nairobi, which translates to 'place of cool waters', a reference to the Nairobi River which flows through the city. The city proper had a population of 4,397,073 in the 2019 census.
Club Daze Volume II: Live in the Bars is a live album by the American heavy metal band Twisted Sister, released in 2002.The album contains live performances recorded for radio shows in 1979–1980 and two previously unreleased studio tracks.
Warne Marsh Quintet: Jazz Exchange Vol. 2, is a live album by saxophonists Warne Marsh and Lee Konitz which was recorded at the Jazzhus Montmartre in late 1975 and released on the Dutch Storyville label.
Live at Club Mozambique is a live album by American organist Lonnie Smith recorded in Detroit in 1970 and released on the Blue Note label in 1995. [1] [2] [3] Reception
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.