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"The Lottery" is a short story by Shirley Jackson that was first published in The New Yorker on June 26, 1948. The story describes a fictional small American community that observes an annual tradition known as "the lottery", which is intended to ensure a good harvest and purge the town of bad omens. The lottery, its preparations, and its execution are all described in detail, though it is not ...
Oral Interpretation is a dramatic art, also commonly called "interpretive reading" and "dramatic reading", though these terms are more conservative and restrictive. In certain applications, oral interpretation is also a theater art – as in reader's theater, in which a work of literature is performed with manuscripts in hand or, more ...
A narrative technique (known among literary fictional narratives as a literary technique, literary device, or fictional device) is any of several specific methods the creator of a narrative uses to convey what they want —in other words, a strategy used when planning and creating a narrative structure to relay information to the audience and particularly to develop the narrative, usually in ...
The Brave Little Toaster is a 1980 novella by American writer Thomas M. Disch intended for children or, as put by the author, a "bedtime story for small appliances". The story centers on a group of five household appliances—a tensor lamp stand, an electric blanket, an AM radio alarm clock, a vacuum cleaner and a toaster—on their quest to find their original owner referred to as the Master.
Publication date. February 8, 1947. " The Green Hills of Earth " is a science fiction short story by American writer Robert A. Heinlein. One of his Future History stories, the short story originally appeared in The Saturday Evening Post (February 8, 1947), and it was collected in The Green Hills of Earth (and subsequently in The Past Through ...
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
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