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The history of Cluj-Napoca covers the time from the Roman conquest of Dacia, when a Roman settlement named Napoca existed on the location of the later city, through the founding of Cluj and its flourishing as the main cultural and religious center in the historical province of Transylvania, until its modern existence as a city, the seat of Cluj County in north-western Romania.
25 May – 3 June 2018. Website. tiff.ro. The Transilvania International Film Festival (TIFF; Romanian: Festivalul internațional de film Transilvania) is the first international feature film festival in Romania, which is held annually in the historic capital of Transylvania, Cluj-Napoca. Founded in 2002 by the Romanian Film Promotion (Romanian ...
CFR Cluj was the subject of a long documentary film directed by Laviniu Lazăr on their 2012–13 UEFA Champions League season and the historical victory over Manchester United at Old Trafford, titled "The Theatre of Dreams" (Romanian: Teatrul Viselor) which was presented at the Film Transilvania (TIFF) festival in 2013. [32] [33] [34]
Cluj-Napoca (/ ˈkluːʒnæˌpoʊkə / KLOOZH-na-POH-kə; Romanian: [ˈkluʒ naˈpoka] ⓘ), or simply Cluj (Hungarian: Kolozsvár [ˈkoloʒvaːr] ⓘ, German: Klausenburg), is a city in northwestern Romania. It is the second-most populous city in the country [5] and the seat of Cluj County.
Pages in category "Film people from Cluj-Napoca" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. D. Tissa David; G.
Anna Török. Florin Piersic (Romanian pronunciation: [floˈrin ˈpjersik]; born 27 January 1936, Cluj-Napoca) [2][3][4][5] is a well-known Romanian actor and TV personality. He is particularly famous for his leading roles in The White Moor and the Margelatu series films. He has a reputation, often parodied in popular culture, as a raconteur.
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In December 1945, at the end of World War II, as Cluj became part of Romania once again, the theatrical institution returned to Cluj and restarted its activity, under the directorship of Aurel Buteanu. Between 1948 and 1964, although under the initial stages of the Communist regime, the theatre managed to keep true to its artistic values.