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Lining of paintings. The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining.
Encaustic painting, also known as hot wax painting, is a form of painting that involves a heated wax medium to which colored pigments have been added. The molten mix is applied to a surface—usually prepared wood, though canvas and other materials are sometimes used. The simplest encaustic medium could be made by adding pigments to wax, though ...
Oil paintings. Oil paint is a medium made up of pigments and a drying oil binding agent. Various other ingredients can be mixed in to condition the paint in several ways and modify its various properties and drying. Oil paintings are painted on various surface support types. Oil on canvas, oil on board, and oil on metal are only some examples ...
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" [1] or "support"). [2] The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used.
Renaissance Wax is a brand of microcrystalline wax polish used in antique restoration and museum conservation around the world. Commonly used to polish and conserve metal objects, it is also used on gemstones and such organic materials as wood, ivory, and tortoiseshell. The product is sometimes used by reenactors to protect armor and weapons.
Oil painting. Mona Lisa was created by Leonardo da Vinci using oil paints during the Renaissance period in the 15th century. Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper ...
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
Painted over the top of etchings, India-ink drawings and other line art, it enables the application of colours by tinting with thin glazes of oil paint. This technique was first discovered by the artist Patrick Woodroffe and is outlined in his book A Closer Look (Paper Tiger, 1986, ISBN 1-85028-025-8 ). Liquin also permits the creation of "save ...
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