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The modern Hindi and Urdu standards are highly mutually intelligible in colloquial form, but use different scripts when written, and have lesser mutually intelligibility in literary forms. The history of Bible translations into Hindi and Urdu is closely linked, with the early translators of the Hindustani language simply producing the same ...
The Urdu Wikipedia (Urdu: اردو ویکیپیڈیا), started in January 2004, is the Standard Urdu-language edition of Wikipedia, a free, open-content encyclopedia. [1] [2] As of 7 September 2024, it has 210,513 articles, 184,191 registered users and 12,664 files, and it is the 54th largest edition of Wikipedia by article count, and ranks 20th in terms of depth among Wikipedias with over ...
Rekhta (Urdu: ریختہ [ˈreːxtaː]; Hindi: रेख़्ता [ˈreːxtaː]) was an early form of the Hindustani language. This style evolved in both the Perso-Arabic and Devanagari scripts and is considered an early form of Modern Standard Urdu and Modern Standard Hindi. [2] According to the Pakistani linguist and historian Tariq Rehman ...
It is the first Wikipedia to be written in a variety of Hindustani, followed by the Urdu Wikipedia, launched in January 2004. On 30 August 2011, the Hindi Wikipedia became the first South Asian-language Wikipedia to surpass 100,000 articles. Hindi, using the Devanagari script, requires complex transliteration aids to be typed on devices. Thus ...
Naʽat (Urdu: نعت; Bengali: নাত and Punjabi) is poetry in praise of the Islamic prophet, Muhammad. The practice is popular in South Asia (India, Pakistan and Bangladesh), commonly in Urdu, Bengali or Punjabi. People who recite Naʽat are known as Naʽat Khawan or sanaʽa-khuaʽan.
Sirat al-Nabi. Siratun Nabi (Urdu: سیرت النبی) is a 7-volume seerah book, or biography of the Islamic prophet Muhammad, which was written by Shibli Nomani and Sulaiman Nadvi. This is Shibli Nomani's latest and most popular work. [1][2][3][4]
Translation of a text that is sung in vocal music for the purpose of singing in another language—sometimes called "singing translation"—is closely linked to translation of poetry because most vocal music, at least in the Western tradition, is set to verse, especially verse in regular patterns with rhyme.
Nusrati himself claimed to have invented a new poetic form with this work, which is "the only thing of its kind in Urdu". [12] It is patterned on the Persian Shāh-nāma . [ 13 ] Grahame Bailey calls it the greatest poem ever written at Bijapur.