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Andy Borowitz (born January 4, 1958) [1] is an American writer, comedian, satirist, and actor. Borowitz is a New York Times-bestselling author who won the first National Press Club award for humor.
In 2004, for the first time in its 80-year history, The New Yorker endorsed a presidential candidate, John Kerry. [20] In May 2009, Remnick was the subject of an extended Twitter thread by former New Yorker staff writer Dan Baum, whose contract with the magazine was not renewed by Remnick. The tweets, written over the course of a week ...
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Emma Allen (born 1987 or 1988) is a cartoon editor for The New Yorker. When she was hired for the role in 2017 at the age of 29, she became the youngest and first female cartoon editor in the magazine's history. [1] [2] She is known for selecting new and diverse humor
Tilley featured on the cover of the first issue of The New Yorker (dated February 21, 1925) as a dandy of days past, as created by Rea Irvin. Eustace Tilley is a caricature that appeared on the cover of the first issue of The New Yorker in 1925 and has appeared on the cover in various forms of every anniversary issue of the magazine except 2017.
William Finnegan is a staff writer at The New Yorker and author of works of international journalism. He has specially addressed issues of racism and conflict in Southern Africa and politics in Mexico and South America, as well as poverty among youth in the United States, and is well known for his writing on surfing.
Daniel D.T. Moore founded the publication as Moore's Rural New Yorker in Rochester, New York in 1850. Moore later became mayor of Rochester in 1865. After moving the paper to New York City (it opened a branch office at the old New York Times building at 41 Park Row by 1869), financial setbacks caused him to give up the paper in the 1870s.
Peter Steiner's 1993 cartoon, as published in The New Yorker "On the Internet, nobody knows you're a dog" is an adage and Internet meme about Internet anonymity which began as a caption to a cartoon drawn by Peter Steiner, published in The New Yorker on July 5, 1993.