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The History of the Shroud of Turin begins in the year 1390 AD, when Bishop Pierre d'Arcis wrote a memorandum where he charged that the Shroud was a forgery. [1] Historical records seem to indicate that a shroud bearing an image of a crucified man existed in the possession of Geoffroy de Charny in the small town of Lirey, France around the years 1353 to 1357.
The Shroud of Turin (Italian: Sindone di Torino), also known as the Holy Shroud[2][3] (Italian: Sacra Sindone), is a length of linen cloth that bears a faint image of the front and back of a man. It has been venerated for centuries, especially by members of the Catholic Church, as the actual burial shroud used to wrap the body of Jesus of ...
The Shroud of Turin, a linen cloth that tradition associates with the crucifixion and burial of Jesus, has undergone numerous scientific tests, the most notable of which is radiocarbon dating, in an attempt to determine the relic 's authenticity. In 1988, scientists at three separate laboratories dated samples from the Shroud to a range of 1260 ...
Central detail of the shroud with the face (left). The 2015 Exposition of the Shroud of Turin begins in the Turin Cathedral, Italy. The Shroud of Turin is a linen cloth with the image of a man.
A photo of the Shroud of Turin face, positive left, negative on the right, having been contrast enhanced. The Shroud of Turin is the best-known and most intensively studied relic of Jesus. [9] In 1988, radiocarbon dating determined that the shroud was from the Middle Ages, between the years 1260 and 1390. [10]
Image of Edessa. According to the account, King Abgar received the Image of Edessa, a likeness of Jesus. According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus Christ had been imprinted—the first icon (lit. 'image').
Shroud proponents cite it as evidence for the shroud's existence before the fourteenth century. Critics point out that inter alia that there is no image on the alleged shroud. The Codex Pray, an Illuminated manuscript written in Budapest, Hungary between 1192 and 1195, includes an illustration of what appears to some to be the Shroud of Turin.
Shroud of Turin. Stampita or print of the Holy Face of Jesus (modern reproduction). A broader devotion to the Holy Face is based on the image used on the Shroud of Turin which some believe to be the burial cloth of Jesus. It is different from the likeness of Jesus on the Veil of Veronica, although the veil image had earlier been used in devotions.
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