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ReelShort is a Chinese short-form video streaming app specializing in serialized dramas designed for mobile viewing. [1][2][3] It is owned by COL Group, a publicly listed company. [3][4] ReelShort's shows emphasize rapid plot twists, heightened emotional conflicts, and minimal character development. [5][3] The production values are notably low ...
Skin is a 2018 American short drama film, directed by Israeli-born filmmaker Guy Nattiv. Co written with Sharon Maymon, the film won the Academy Award for Best Live Action Short Film at the 91st Academy Awards, marking distributor Fox Searchlight Pictures ' first win in the category. [3][4] Nattiv's full-length feature Skin, also released in ...
Running time. 12 minutes. Country. Ireland. Language. English. Budget. €5,500 (estimated) Stutterer is a short drama film written and directed by Benjamin Cleary [1] and produced by Serena Armitage and Shan Christopher Ogilvie.
Running time. 20 minutes. Country. United Kingdom. Language. English. The Phone Call is a 2013 British short drama film. It was directed by Mat Kirkby and written by Kirkby and James Lucas. It won the Oscar for Best Live Action Short Film at the 87th Academy Awards.
The short film grew from director Doug Roland's encounter with a DeafBlind man in New York City years earlier. The title of Feeling Through is a pun: It is a reference to the DeafBlind community, which is at the heart of the film, as members of that community navigate the world through touch, while the metaphorical meaning refers to the protagonist's personal journey of having to carefully ...
This is a list of short stories and novellas that have been made into feature films. The title of the work is followed by the work's author, the title of the film, and the year of the film. If a film has an alternate title based on geographical distribution, the title listed will be that of the widest distribution area.
Ellison wrote the 13-page short story in a single night in 1966 while making almost no changes from the first draft. [1] [2] Afterwards, his editor Frederik Pohl dealt with the story's "difficult sections", toning down some of the narrator's imprecations and eliminating mentions of sex, penis size, homosexuality, and masturbation; said elements were nonetheless eventually restored in later ...