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The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
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List of story structures. A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Drama (film and television) Gone with the Wind is a popular romance drama. In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. [1] The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or ...
The third event in a series of events becomes "the final trigger for something important to happen." This pattern appears in childhood stories such as "Goldilocks and the Three Bears", "Cinderella", and "Little Red Riding Hood". In adult stories, the Rule of Three conveys the gradual resolution of a process that leads to transformation. This ...
Into the Widening World, a collection of 26 short fictional coming-of-age stories by 26 notable authors (published 1995) Harry Potter, by J.K. Rowling (1997–2007) The Perks of Being a Wallflower, by Stephen Chbosky (1999) Alex Rider, by Anthony Horowitz (2000–till date) The Sisterhood of the Traveling Pants, by Ann Brashares (2001)
The short story is a crafted form in its own right. Short stories make use of plot, resonance and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella/short novel, authors generally draw from a common pool of literary techniques. [citation needed]
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