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Website. www.naunehal.com. Hamdard Naunehal (Urdu: ہمدرد نونہال) is a Pakistani kids bilingual (Urdu and English) monthly magazine. [1] first published by Hakim Said of Hamdard Laboratories, under the editorship of Masood Ahmed Barkati, in 1953. [2][3] This magazine is very popular among children due to its emphasis on proper Urdu ...
Ismail Merathi (1844–1917) was an Indian Urdu poet, schoolteacher, and educationist from the Mughal–British era. His poems for children like Nasihat, Barsaat, Humaari Gaye, Subah Ki Aamad, Sach Kaho, Baarish Ka Pehla Qatra, Pan Chakki, Shafaq, and several others are part of the primary school curriculum in Pakistan. [1]
The story appears in Indian textbooks, and its adaptions also appear in moral education books such as The Joy of Living. [5] The story has been adapted into several plays and other performances. Asi-Te-Karave Yied (2008) is a Kashmiri adaption of the story by Shehjar Children's Theatre Group, Srinagar. [6]
Pir-e-Kamil. Pir-e-Kamil or Peer-e-Kamil (Urdu: پیر کامل صلی اللہ علیہ و آلہ و سلم; meaning "The Perfect Mentor") is a novel written by Pakistani writer Umera Ahmad. [1] It was first published in Urdu in 2004 and later in English in 2011. The book deals with the turning points in intervening lives of two people: a ...
The Hamzanama (Persian / Urdu: حمزهنامه Hamzenâme, lit. 'Epic of Hamza') or Dastan-e-Amir Hamza (Persian/Urdu: داستان امیر حمزه, Dâstân-e Amir Hamze, lit. 'Adventures of Amir Hamza') narrates the legendary exploits of Hamza ibn Abdul-Muttalib, an uncle of Muhammad. Most of the stories are extremely fanciful, "a ...
Kalīla wa-Dimna or Kelileh o Demneh (Arabic: كليلة ودمنة; Persian: کلیله و دمنه) is a collection of fables. The book consists of fifteen chapters containing many fables whose heroes are animals. A remarkable animal character is the lion, who plays the role of the king; he has a servant ox Shetrebah, while the two jackals of ...
Style Of Writing. Ghulam Abbas has also written stories, plays and poems for children, his main field is fiction. He has a very high position in modern Urdu fiction. He takes the plot of the fiction from around him and writes it so skillfully that the reader gets lost in its details. And is shocked at the end of it.
A 1961 edition of The Pakistan Review said "Among Urdu writers Saeed Lakht, Editor of Taleem-o-Tarbiat, is the most popular with the children." [6] Ayasha Syeed, writing in Living Our Religions , said "I still have fond memories of Taleem-o-Tarbiat , my favorite childhood Urdu language magazine, that we received on a subscription basis.