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Theme (narrative) In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
Three-act structure. The three-act structure is a model used in narrative fiction that divides a story into three parts ( acts ), often called the Setup, the Confrontation, and the Resolution. It was popularized by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting. Based on his recommendation that a play have a "beginning ...
e. Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. [1] Tragicomedy, as its name implies, invokes the intended response of ...
The mystery play developed, in some places, into a series of plays dealing with major events in the Christian calendar, from the Creation to the Day of Judgment. By the end of the 15th century, the practice of acting these plays in cycles on festival days was established in several parts of Europe.
Hausa literature is any work written in the Hausa language. It includes poetry, prose, songwriting, music, and drama. Hausa literature includes folk literature, much of which has been transcribed, and provides a means of recording, preserving, and transmitting knowledge, especially in regard to social, psychological, spiritual, or political roles.
Chekhov's gun. Chekhov's gun ( Chekhov's rifle; Russian: Чеховское ружьё) is a narrative principle that states that every element in a story must be necessary, and irrelevant elements should be removed. For example, if a writer features a gun in a story, there must be a reason for it, such as it being fired some time later in the ...
Subplot. In fiction, a subplot or side story is a secondary strand of the plot that is a supporting side story for any story or for the main plot. Subplots may connect to main plots, in either time and place or thematic significance. Subplots often involve supporting characters, those besides the protagonist or antagonist.
Theatre of ancient Rome. Roman mosaic depicting actors and an aulos player (House of the Tragic Poet, Pompeii ). The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. [1] The theatre of ancient Rome referred to a period of time in which theatrical practice and ...