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The Adventures of Pinocchio (1883) is a canonical piece of children's literature and one of the best-selling books ever published. [1] Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children. Modern children's literature is classified in two different ways: genre or the intended ...
The Thirty-Six Dramatic Situations. The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works.
Cinderella, Aladdin, Jane Eyre (Charlotte Brontë), A Little Princess (Frances Hodgson Burnett), Great Expectations (Charles Dickens), David Copperfield (Charles Dickens, Moll Flanders (Daniel Defoe), The Red and the Black (Stendhal), The Prince and the Pauper (Mark Twain), "The Ugly Duckling" (Hans Christian Andersen), The Gold Rush, The Jerk.
List of story structures. A story structure, narrative structure, or dramatic structure (also known as a dramaturgical structure) is the structure of a dramatic work such as a book, play, or film. There are different kinds of narrative structures worldwide, which have been hypothesized by critics, writers, and scholars over time.
Radio drama. Radio drama (or audio drama, audio play, radio play, [1] radio theatre, or audio theatre) is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally ...
The short story is a crafted form in its own right. Short stories make use of plot, resonance and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella/short novel, authors generally draw from a common pool of literary techniques. [citation needed]
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Dramatic conventions are the specific actions and techniques the actor, writer or director has employed to create a desired dramatic effect or style. A dramatic convention is a set of rules which both the audience and actors are familiar with and which act as a useful way of quickly signifying the nature of the action or of a character.
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