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Psychological drama, or psychodrama, [1] is a subgenre of drama and psychological fiction literatures that generally focuses upon the emotional, mental, and psychological development of the protagonists and other characters within the narrative, which is highlighted by the drama.
Psychological fiction. In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and ...
Psychological thriller is a genre combining the thriller and psychological fiction genres. It is commonly used to describe literature or films that deal with psychological narratives in a thriller or thrilling setting. In terms of context and convention, it is a subgenre of the broader ranging thriller narrative structure, [1] with similarities ...
A new psychological thriller has debuted at Cannes that looks destined for cult status.. Titled Gazer, the film was screened as part of the film festival’s Directors’ Fortnight section, a ...
Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. [citation needed] This idea is referred to in analytical psychology as the archetypal shadow characteristics ...
Subcategories. This category has the following 3 subcategories, out of 3 total. Psychological drama films by century (2 C) Psychological drama films by country (14 C) Psychological drama films by decade (11 C)
Russia's first professional playwright, Aleksey Pisemsky, along with Leo Tolstoy (in his The Power of Darkness of 1886), began a tradition of psychological realism in Russia. A new type of acting was required to replace the declamatory conventions of the well-made play with a technique capable of conveying the speech and movements found in the ...
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation"). [2]