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The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.
Drama (film and television) Gone with the Wind is a popular romance drama. In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. [1] The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or ...
A frame story is a literary device that acts as a convenient conceit to organize a set of smaller narratives, either devised by the author or taken from a previous stock of popular tales, slightly altered by the author for the purpose of the longer narrative. Sometimes a story within the main narrative encapsulates some aspect of the framing ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Preceded by. The Great Deception. Followed by. Scared to Death: From BSE to Global Warming. The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung -influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years. [1]
Short stories date back to oral storytelling traditions which originally produced epics such as the Ramayana, the Mahabharata, and Homer 's Iliad and Odyssey. Oral narratives were often told in the form of rhyming or rhythmic verse, often including recurring sections or, in the case of Homer, Homeric epithets. Such stylistic devices often acted ...
Melodrama. Mélodrame painted by Honoré Daumier between 1855 and 1860, depicting a typical Parisian scene as was the case on Boulevard du Temple. A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization.
Climax (narrative) The climax (from Ancient Greek κλῖμαξ (klîmax) 'staircase, ladder') or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given. [1] [2] The climax of a story is a literary element. [3]
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