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Theatre in education (TIE), originating in Britain in 1965, is the use of theatre for purposes beyond entertainment. It involves trained actors/educators performing for students or communities, with the intention of changing knowledge, attitudes, and behaviour. [1] [2] Canadian academics Monica Prendergast and Juliana Saxton describe TIE as ...
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Readers theater is a style of theater in which the actors present dramatic readings of narrative material without costumes, props, scenery, or special lighting. Actors use only scripts and vocal expression to help the audience understand the story. Readers theater is also known as "theater of the mind", "interpreters theater", and "story ...
Teechers is a play by John Godber, written in 1984 and published in 1985. It was first performed by the Hull Truck Theatre Company at the 1987 Edinburgh Festival starring Martin Barass as Salty, Gill Tompkins as Gail and Shirley Anne Selby as Hobby. In 2010 a revival of the play was again performed at Hull Truck Theatre, before touring at other ...
Drama. Oleanna is a 1992 two-character play by David Mamet, about the power struggle between a university professor and one of his female students, who accuses him of sexual harassment and, by doing so, spoils his chances of being accorded tenure. The play's title, taken from a folk song, refers to a 19th-century escapist vision of utopia. [1]
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation"). [2]
Improvisational theatre. Improvisational theatre, often called improvisation or improv, is the form of theatre, often comedy, in which most or all of what is performed is unplanned or unscripted, created spontaneously by the performers. In its purest form, the dialogue, action, story, and characters are created collaboratively by the players as ...