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In 2004 the BFI compiled a list of the 100 biggest UK cinematic hits of all time based on audience viewing, the list was released as a book. The top 10 are available in this BBC News Online story.
Sight & Sound has in the past been the subject of criticism, notably from Raymond Durgnat, who often accused it of elitism, puritanism and snobbery, although he did write for it in the 1950s, and again in the 1990s. [3] [4] The magazine's American counterpart is Film Comment, a magazine published by the Film Society of Lincoln Center in New ...
The Innocents is a 1961 gothic psychological horror film directed and produced by Jack Clayton, and starring Deborah Kerr, Michael Redgrave, and Megs Jenkins. Based on the 1898 novella The Turn of the Screw by the American novelist Henry James, the screenplay was adapted by William Archibald and Truman Capote, who used Archibald's own 1950 ...
The BFI publishes the monthly Sight & Sound magazine, as well as films on Blu-ray, DVD and books. It runs the BFI National Library (a reference library), and maintains the BFI Film & TV Database and Summary of Information on Film and Television (SIFT), which are databases of credits, synopses and other information about film and television productions. SIFT has a collection of about 7 million ...
Josh Berger. BFI Flare: London LGBTIQ+ Film Festival. BFI Future Film Festival. BFI Gallery. British Film Institute Act 1949. Template:British Film Institute Fellowship. Harold Brown (film preservationist) Buffy the Vampire Slayer (BFI TV Classics)
In 2022, Belo participated in the Sight & Sound film polls of that year. It is held every ten years to select the greatest films of all time, by asking contemporary directors to select ten films of their choice.
Sight and Sound described this aspect of their filmmaking process as ‘communitarian’ in the introduction to their interview by film critic and writer Sophie Mayer. [2] The Independent Cinema Office organised a UK cinema tour of these films in 2016.
In a 2016 article in Sight and Sound, Sophie Mayer described their filmmaking process as 'a unique merging of community arts (with months spent developing relationships and stories) and vérité documentary'.