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Mame is a musical with a book by Jerome Lawrence and Robert Edwin Lee and music and lyrics by Jerry Herman. Originally titled My Best Girl, it is based on the 1955 novel Auntie Mame by Patrick Dennis and the 1956 Broadway play of the same name by Lawrence and Lee. A period piece set in New York City and spanning the Great Depression and World ...
Box office. $6.5 million [2] Mame is a 1974 Technicolor musical film in Panavision based on the 1966 Broadway musical of the same name (itself based on the 1958 film Auntie Mame) and the 1955 novel Auntie Mame by Patrick Dennis. It was directed by Gene Saks, and adapted by Paul Zindel, and starred Lucille Ball in her final feature film role.
Mame. (film soundtrack) Original Soundtrack from the Motion Picture Mame is the soundtrack from the 1974 Warner Bros. movie adaptation of the Broadway musical Mame. The album features music and lyrics by Jerry Herman and retains all but one song, "That's How Young I Feel," from the original Broadway musical and adds a new song, "Loving You."
Jerry's Girls, the show's opening number set to the music of "It's Today" from Mame, enumerated the many actresses who had appeared in Herman's shows over the years. [2] The show then toured, playing at the Kennedy Center's Eisenhower Theater for six weeks in June 1984. The revue went on to play engagements in 1984: in Kansas City, Missouri ...
Jerry Herman. Gerald Sheldon Herman (July 10, 1931 – December 26, 2019) was an American composer and lyricist, known for his work in Broadway theatre. One of the most commercially successful Broadway songwriters of his time, Herman was the composer and lyricist for a number of hit musicals, starting in the 1960s, that were characterized by an ...
Showtune is a musical revue celebrating the words and music of Broadway composer and lyricist Jerry Herman. Its title was inspired by Herman's autobiography of the same name. The revue's original title was Tune the Grand Up. After its 1985 San Francisco premiere and several regional productions through the 1990s, the piece played in the West ...
11 o'clock number is a theatre term for a big, show-stopping song that occurs late in the second act of a two-act musical, in which a major character, often the protagonist, comes to an important realization. Examples include "So Long Dearie" from Hello, Dolly!, "If He Walked Into My Life" from Mame, "Rose's Turn" from Gypsy, "Work the Wound ...
The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]