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Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
Early 20th-century English novelist E. M. Forster described plot as the cause-and-effect relationship between events in a story. According to Forster, "The king died, and then the queen died, is a story, while The king died, and then the queen died of grief, is a plot."
The Seven Basic Plots: Why We Tell Stories is a 2004 book by Christopher Booker containing a Jung-influenced analysis of stories and their psychological meaning. Booker worked on the book for 34 years.
Science procedural: Science fiction novels or stories may have sequences of scientific procedure. An example would be Timescape, written by the scientist and author Gregory Benford. A relatively recent subgenre is the presidential procedural: a novel which focuses on the office of the US presidency, and the activities of its occupant.
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. [1] For ancient Greeks and Romans, a comedy was a stage-play with a happy ending.
Comedy drama, also known by the portmanteau dramedy, [1] [2] [3] is a genre of dramatic works that combines elements of comedy and drama.In television, modern scripted comedy dramas tend to have more humour integrated into the story than the comic relief common in drama series but usually contain a lower joke rate than sitcoms.
List of drama films is a chronological listing of films in the drama genre. List of drama films of the 1900s; List of drama films of the 1910s;
Waiting for Godot, a herald for the Theatre of the Absurd. Festival d'Avignon, dir. Otomar Krejča, 1978.. The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s.
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