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Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Russian lacquer art developed from the art of icon painting, which came to an end with the collapse of Imperial Russia. The icon painters, who previously had been employed by supplying not only churches but people's homes, needed a way to make a living. Thus, the craft of making papier-mâché decorative boxes and panels developed, the items ...
The Fedoskino miniature (Russian: федоскинская миниатюра) of Fedoskino village is a genre of lacquer miniature painting on papier-mâché, originating from the late 18th century. From the 1930s this genre also began to be used in proletarian art. [5] Russian lacquer painting is built up through several layers of varnish ...
The Wajima Museum of Urushi Art (Japanese: 石川県輪島漆芸美術館) is a museum located in Wajima, Japan. The museum specializes in lacquer art. History. The museum was opened in 1991, originally the museum contains 300 works at its opening, in 2021, it was recorded that there were 1428 works of art that the museum contained.
Urushi-e (漆絵 " lacquer picture [s]") refers to three different techniques in Japanese art. Though urushi-e is most associated with woodblock, the term urushi-e is not exclusive to that medium. It can also refer to pictures using lacquer as a paint on three-dimensional lacquered objects; [2] and paintings using actual lacquer on paper or ...
Nanban art (南蛮美術) refers to Japanese art of the sixteenth and seventeenth centuries influenced by contact with the Nanban (南蛮) or 'Southern barbarians', traders and missionaries from Europe and specifically from Portugal. It is a Sino-Japanese word, Chinese Nánmán, originally referring to the peoples of South Asia and Southeast Asia.
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