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Theatre in education (TIE), originating in Britain in 1965, is the use of theatre for purposes beyond entertainment. It involves trained actors/educators performing for students or communities, with the intention of changing knowledge, attitudes, and behaviour. [1] [2] Canadian academics Monica Prendergast and Juliana Saxton describe TIE as ...
Readers theater is a style of theater in which the actors present dramatic readings of narrative material without costumes, props, scenery, or special lighting. Actors use only scripts and vocal expression to help the audience understand the story. Readers theater is also known as "theater of the mind", "interpreters theater", and "story ...
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation"). [2]
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such ...
Mr. Harrison – the drama teacher, socialist and idealistic, called Mr. Nixon in the play, to "Protect the names of the innocent", young and casual. Mrs. Hudson – the headmistress, called Mrs. Parry in the play, loud and large with a terrible dress sense. Bobby Moxon – (Oggy Moxon) Bully of the school who scares teachers and students alike.
Drama (film and television) Gone with the Wind is a popular romance drama. In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. [1] The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or ...
Modern dramatic theory is based on the idea that drama is a plurimedial form of art. Therefore, a drama cannot be completely comprehended from the text alone. Understanding requires the combination of the text as a substrate and the specific performance of the play. Older theories saw the performance as limited to the interpretation of the text.
The Firesign Theatre's Big Book Of Plays is a collection of transcriptions written by The Firesign Theatre for the title tracks of each of their first four albums. The book also contains some introductory material that is serious as well a few pieces that parody introductory material. Photos of the group—childhood photos, casual snapshots ...