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Moral affect is “emotion related to matters of right and wrong”. Such emotion includes shame, guilt, embarrassment, and pride; shame is correlated with the disapproval by one's peers, guilt is correlated with the disapproval of oneself, embarrassment is feeling disgraced while in the public eye, and pride is a feeling generally brought about by a positive opinion of oneself when admired by ...
Illustration from "The Dreadful Story of Pauline and the Matches" from Struwwelpeter, by Heinrich Hoffman, 1858. A cautionary tale or moral tale [1] is a tale told in folklore to warn its listener of a danger. There are three essential parts to a cautionary tale, though they can be introduced in a large variety of ways.
Professor Stith Thompson classified the tale type as Aarne–Thompson–Uther ATU 850, "The Birthmarks of the Princess". [1]Another characteristic element of the tale type is the type of the birthmark: they are usually shown as a sun, a moon, or a star. [2]
Throughout Pinocchio, Collodi chastises Pinocchio for his lack of moral fiber and his persistent rejection of responsibility and desire for fun. The structure of the story of Pinocchio follows that of the folk-tales of peasants who venture out into the world but are naively unprepared for what they find, and get into ridiculous situations. [13]
The moral drawn from the fable by Babrius was that "Brotherly love is the greatest good in life and often lifts the humble higher". In his emblem book Hecatomgraphie (1540), Gilles Corrozet reflected on it that if there can be friendship among strangers, it is even more of a necessity among family members. [4]
According to Zipes and other writers, this tendency found expression in Andersen's stories, where people like the princess undergo ordeals to prove their virtuousness. [3] While a 1905 article in the American Journal of Education recommended the story for children aged 8–10, [4] "The Princess and the Pea" was not uniformly well received by ...