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Rhinoceros. Rhinoceros ( French: Rhinocéros) is a play by Eugène Ionesco, written in 1959. The play was included in Martin Esslin 's study of post-war avant-garde drama The Theatre of the Absurd, although scholars have also rejected this label as too interpretatively narrow. [citation needed] Over the course of three acts, the inhabitants of ...
In 1853 Monier Monier-Williams published the Sanskrit text of the play. Two years later he published an English translation of the play, under the title: Śakoontalá or The Lost Ring. A ballet version of Kālidāsa's play, Sacountalâ, on a libretto by Théophile Gautier and with music by Ernest Reyer, was first performed in Paris in 1858.
The Firesign Theatre's Big Book Of Plays is a collection of transcriptions written by The Firesign Theatre for the title tracks of each of their first four albums. The book also contains some introductory material that is serious as well a few pieces that parody introductory material. Photos of the group—childhood photos, casual snapshots ...
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such ...
Thunderstorm. (play) Thunderstorm ( Chinese: 雷雨; pinyin: Léiyǔ; Wade–Giles: Lei-yü) is a play written in 1933 by the Chinese dramatist Cao Yu. It is one of the most popular Chinese dramatic works of the period prior to the Japanese invasion of China in 1937.
Twelve Angry Men. Twelve Angry Men is an American courtroom drama written by Reginald Rose concerning the jury of a homicide trial. It was broadcast initially as a television play in 1954. The following year it was adapted for the stage. It was adapted for a film of the same name, directed by Sidney Lumet, and released in 1957.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
The premise is that the good and evil deeds of one's life will be tallied by God after death, as in a ledger book. The play is the allegorical accounting of the life of Everyman, who represents all mankind. In the course of the action, Everyman tries to convince other characters to accompany him in the hope of improving his account.
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